2021年11月13日（土）〜14日（日）　会場　信州大学人文学部

Program

[Individual Papers] [Special Lecture/Panel Discussions]

Sat., November 13, 2021
Session A, Chair: FUKUNAKA, Fuyuko
A-1
9:10～9:50		 ASAYAMA, Natsuko:
Rethinking the New German "School": Changing the Concept of School in Music Historiography
A-2
9:55～10:35		 TANABE, Kentaro:
A Study on The "Ontological Turn" in Sound Studies
A-3
10:40～11:20		 NARUTA, Reina:
The Opera Works of Zola and Bruneau: The Evaluation in Historiography of Music during the Third Republic
A-4
11:25～12:05		 KURAWAKI, Masako:
The Role of Music at the 1873 Vienna World Exposition

Session B, Chair: CHOKI, Seiji
B-1
9:10～9:50		 ISHIKAWA, Ryoko:
Tango, Ragtime and English Waltz: “Jazz” in the Music of Alban Berg
B-2
9:55～10:35		 OTA, Mineo:
Bartók's Recordings and His Views of Musical Work : In the Cases of Works In "Bulgarian Rhythm"
B-3
10:40～11:20		 NAKAHARA, Yusuke:
Between the Intuitional and Rational Compositional Approaches: On the Compositional Process of Béla Bartók’s Mikrokosmos
B-4
11:25～12:05		 KOJIMA, Hiroyuki:
The Spread of Non-Positivist Historical Perspectives in the Music Field and the Justification of Neoclassicism

Session C, Chair: KURODA, Kyoko
C-1
9:10～9:50		 MISHIMA, Wakana:
The Symbolisms of Japanese Tradition in the Modern Rice Planting Songs: From the Point of View of Inheriting Local Songs
C-2
9:55～10:35		 SOMURA, Mizuki:
The Musical Characteristics of Satsumabiwa’s Jikyoku-Mono during the Fifteen-Year War.
C-3
10:40～11:20		 MORIMOTO, Yoriko:
Performances by the Russian Grand Opera Company in Japan: How Did the Company Perform Aida in 1919 and 1921?
C-4
11:25～12:05		 KIM, Jiesun :
The Actual State of Japanese Traditional Music in the Japanese Community in Colonial Korea (1910-1945)

Session D, Chair: HIROSE, Daisuke
D-1
9:10～9:50		 IKEGAMI, Ken'ichiro:
The Viennese Reception of Melodrama around 1780: Considerations Based on Georg Benda and Anton Zimmermann
D-2
9:55～10:35		 NISHIHARA, Rui:
What Isaac Nathan’s Hebrew Melodies Brought to His Contemporaries: The Quotation in Franz Schubert’s Works
D-3
10:40～11:20		 IKEDA, Ami:
Forms Found in Heller's Arrangements of Schubert's Songs
D-4
11:25～12:05		 ITO, Aya:
Originality of the Time Signature in Reger’s Lieder: Du meines Herzens Krönerein , Op. 76 No. 1

Session E, Chair: MORIMOTO, Yoriko
E-1
13:10～13:50		 KURITA, Momoko:
The Orchestral Sound in Karol Szymanowski's Middle Period Piano Works: Arrangements of the Love Song of Hafiz
E-2
13:55～14:35		 HITOTSUYANAGI, Fumiko :
Poetry Selection in Shostakovich's Vocal Works: In the Case of Works on Pushkin's Poems
E-3
14:40～15:20		 YAMAMOTO, Akihisa:
Establishment of Proletkul’t’s Music Division: A Missing Link in the History of Russian-Soviet Music

Session F, Chair: TONOSHITA, Tatsuya
F-1
13:10～13:50		 TSUKAHARA, Yasuko:
Military Bands of Japanese Army during Meiji Era: Rethinking through the Documents of JACAR
F-2
13:55～14:35		 NISHIZAWA, Tadashi:
Examining the Diffusion of Perspective of Western Music as “Art”: Based on the Shouji Iwamoto's Music Criticism in Meiji 30s
F-3
14:40～15:20		 NISHIMURA, Osamu:
The Music Program of JOBK and Alexander Mogilevsky: Focusing on the “Systematic Regular Performance”

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Session G, Chair: OAI, Takaharu
G-1
13:10～13:50		 MIYAZAKI, Haruyo:
On the Usage of Noeane/Noeagis in Medieval Music Theory
G-2
13:55～14:35		 YOSHIKAWA, Aya:
The Structure of Sound-Scale-System in the Medieval Music Theory
G-3
14:40～15:20		 SUGANUMA, Kiichi:
An Introductory Study of the Sixteenth Century "Figurative" Madrigals: Baldassare Donato's Il secondo libro de mardigali (1568)
G-4
15:25～16:05		OOTAKA Seiji:
Hypermeter and Grouping Pattern Classification


Sun., November 14, 2021
Session H, Chair: NUMAGUCHI, Takashi
H-1
9:00～9:40		 MARUYAMA, Yoko:
Ludwig Van Beethoven's Violin Sonatas: Anton Eberl's Sonatas as Possible Compositional Model
H-2
9:45～10:25		 SUGAWARA, Shuichi:
The Meaning of Trill in Beethoven’s Hammerklavier Op. 106: Piano Works and Instruments in His Last Years
H-3
10:30～11:10		 YOKOYAMA, Fuyumi:
Reconsidering the Value of Beethoven's Folksong Settings
H-4
11:15～11:55		 TANAKA, Nobuaki:
The Violin Concertos by Johann Gottlieb Graun (1701/02–1771): A Study on Their Stylistic Foundation and Coeval Influence

Session I, Chair: UEDA, Yasushi
I-1
9:00～9:40		 KUWAGATA, Akiko:
Time Signatures of F.Couperin Pièces De Clavecin 1er Livre: Old System’s Decay and the Rise of Expression Markings
I-2
9:45～10:25		 NIIBAYASHI, Kazuo:
The Original Sound of German Orchestras in the 18th Century: The Influence on Composers of the Same Period
I-3
10:30～11:10		 TAKAHASHI, Mai:
Verifying Performance Style Based on Velocity Deviation and Spectral Analyses: Remnants of "Rhetorical Performance" in Bach's Chromatic Fantasy and Fugue
I-4
11:15～11:55		 NAKATSUGAWA, Arisa:
A Reconsideration of Wanda Landowska’s Views on Early Music Performance in the 1930s

Session J, Chair: SHIRAISHI, Miyuki
J-1
9:00～9:40		 KUSAKA, Yoko:
David Maslanka's View of Music in His Saxophone Works: Interviews with Players Who Commissioned or Premiered
J-2
9:45～10:25		 NASU, Satoko:
Toward an Appraisal Model for the Fonds Yoritsuné Matsudaïra
J-3
10:30～11:10		 TERUI, Takayuki:
A Comparative Study on Main-Tone Technique of Hosokawa and Yun
J-4
11:15～11:55		 TSUTSUI, Noritaka:
Viktor Ullmann’s Lieder and “Acoustic Scale”: An Attempt to Fill the Gap between Tonality and Atonality

Session K, Chair: FUJITA, Shigeru
K-1
13:40～14:20		 OCHIAI, Misato:
A Study on Compositional Process of Georges Bizet: The Case of La jolie fille de Perth
K-2
14:25～15:05		 HAYASHI, Inori:
Dramatic Effects in Vocal Melodies Written by G.Verdi: Musical Analysis of Simon Boccanegra (1857 Version and 1881 Version)
K-3
15:10～15:50		 SHIRAI, Fumito:
Research on Manuscripts of Silent Film Accompaniment by Gottfried Huppertz: Development of orchestral sounds during the silent film period
K-4
15:55～16:35		 FUKAO, Yumiko:
Régionalisme Philosophy of Déodat de Sévérac and His Music Composition: His Reception of Gregorian Chant and Catalonia Traditional Music

Session L, Chair: OSHIO, Satomi
L-1
13:40～14:20		 INOUE, Satsuki:
Revision of Japanese Customs Tariffs on Pianos in the 1920s
L-2
14:25～15:05		 TENG, Shujun:
Body and Music: A Study of the Changes in the Accompaniment of Radio Calisthenics and the Broadcast Media: A Comparative Study between Japan and China
L-3
15:10～15:50		 HIRAMA, Michiko:
Naikyobo Reveals the Gender Difference between Japanese and Chinese Courts: An Analysis on the Female Performers in the Heian Era
L-4
15:55～16:35		 TSUGAMI, Motomi:
The First Performances of G. F. Händel’s Messiah in Japan

Session M, Chair: ARAKAWA, Keiko
M-1
13:40～14:20		 KUGIMIYA, Takako:
Japonisme in German Musical Drama in the Late 19th Century: Franz Curti. Lili-Tsee (1986)
M-2
14:25～15:05		 KUROKAWA, Marie:
Quotations and Sources of Japanese Music in Madama Butterfly: A collection of Japanese popular music Fourth Edition in 1893
M-3
15:10～15:50		 OKADA, Akihiro:
The Copyists in “Nibelungen-Kanzlei”
M-4
15:55～16:35		 MOMIYAMA, Yoko:
On the Alterations of Milton’s Words in Handel’s L’Allegro